This Sunday at Navy Pier: Chinese Fine Arts Society’s Autumn Moon Festival Celebration

September 13th, 2013 by Sam Zelitch No comments »
September 15, 2013
1:00 pmto4:00 pm

moonfest

On Sunday September 15, 2013, the Chinese Fine Arts Society will present a free Autumn Moon Festival at Chicago’s Navy Pier from 1:00 pm to 4:00 pm. The celebration will consist of three performances featuring music, dance and martial arts at 1:30, 2:30, and 3:30. These performances will tell the legend of this special holiday. In addition, there will be a marketplace, children’s activities, and calligraphy demonstrations.Also known as the Mid-Autumn Festival, the Moon Festival is a day of gathering, thanksgiving, and worship of the moon. The festival centers around the moon as explained by the myth of Chang’e, the Moon Goddess of Immortality. On this day, the festival is a chance to enjoy the harvest and for people to gather together to celebrate the moon, a symbol of unity. Although there exists numerous customs in different regions, the Moon Festival always involves moon cakes, shared with members of one’s family, in a celebration of coming together.Come out and enjoy an afternoon in celebration of the moon!  Visit www.chinesefinearts.org for more information.

EVENT INFORMATION: 
Autumn Moon Festival Celebration, presented by the Chinese Fine Arts Society
Sunday, September 15th, 2013
1:00-4:00 PM
Free Admission
Crystal Gardens at Navy Pier
700 East Grand Avenue
Chicago, IL

Honey Pot Performance Joins Chicago Artists Month

August 19th, 2013 by Sam Zelitch No comments »
October 11, 2013 8:00 pmtoOctober 13, 2013 8:00 pm

price-point

Chicago, IL – August, 19 2013 – Following a triumphant debut of “Price Point” during June’s 13th annual Sketchbook performance festival, Honey Pot Performance (est. 2009) has been selected to reprise their latest interdisciplinary work for Chicago Artists Month 2013. “Price Point” runs October 11-13, 2013 at Rumble Arts Center, 3413 W. North Ave, Chicago, Illinois. Chicago Artist Month (CAM) is the annual celebration of Chicago’s vibrant art community presented by the Chicago Department of Cultural Affairs and Special Events (DCASE) which is held each October at various neighborhoods/venues throughout Chicago. Now in it’s 18th year, CAM 2013 marks HPP’s first appearance in the City’s month-long celebration of local artists.

price-point-the-impossible-cycleHPP’s “Price Point” is an original multi-arts performance project exploring notions of fairness and balance, or the lack thereof, in today’s economic landscape. The work combines movement, theater, song and image to illustrate this era’s connections between micro-stories of its impact on individual psyches/souls and macro-stories of its effects on global society. As Laura Goldstein, co-curator of Chicago’s monthly Red Rover Reading Series, notes in her review, “’Price Point’ is aptly named. The price that you pay for the point of the production is a relative measure of your own understanding and experience of economy and society against the show’s melodically intertwined stories, monologues, poems, media and all points in between … ‘Price Point’ is a gorgeous, honest and wide-reaching account of the effects of living in a contemporary capitalist state. In short, it’s on point!”

In the spirit of showcasing stories of the marginalized/disenfranchised and damn-near-invisible Working Class, Honey Pot Performance originally conceived “Price Point” in 2011. The central questions explored in “Price Point” are the same questions central to our contemporary lives: In this New Economy, what is the value of living/the value of work? What does the concept of the Social Contract look like today? Fundamentally, Honey Pot Performance’s generative process is organically collaborative. The HPP process involves journaling, archiving data/research, conversation, observation, experimentation and creative expressivity (“play” with words, movement, music, etc), followed by a sharing of individual insights and perspectives gleaned from critical review of the data/observations. With “Price Point”, as with all their work, HPP aims to open up space in this world for more consideration, empathy and humanity.

price-point-finaleHoney Pot Performance is a woman-focused collaborative creative community committed to chronicling and interrogating Afro-diasporic feminist and unconventional subjectivities amidst the pressures of contemporary global life. Current projects include original evening length and shorter multidisciplinary performance works, community engaged cultural and arts intervention programming, critical writing and performance-focused collaborations in digital humanities and the social sciences. Honey Pot Performance is Felicia Holman, Aisha Jean-Baptiste, Abra Johnson and Meida McNeal. “Price Point” by Honey Pot Performance is part of Chicago Artists Month 2013, the 18th annual celebration of Chicago’s vibrant art community presented by the Chicago Department of Cultural Affairs and Special Events. For more information, visit www.chicagoartistsmonth.org.

Percussionist Lisa Pegher Guests with Lansing Symphony

August 18th, 2013 by Sam Zelitch No comments »
September 13, 2013
8:00 pm

DSCF1620On September 13, solo percussionist Lisa Pegher will perform Jennifer Higdon’s Concerto for Percussion and Orchestra with the Lansing Symphony Orchestra. Higdon’s piece gives due consideration to the relationship between the soloist and percussion section, requiring an athletic contribution on the part of the soloist. Pegher has performed the piece before with the Grand Junction Symphony Orchestra (You can view a video of her performance here) and most recently performed it with the Puerto Rico Symphony in San Juan.

The program, which begins at 8:00 pm, will include pieces by Enescu and Dvořák. The Lansing Symphony Orchestra is located at 501 S Capitol Ave, Lansing, Michigan. For tickets and information, please visit lansingsymphony.org.

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COMPLETE PROGRAM: 

Enescu, Romanian Rhapsody No. 1 in A Major
Higdon, Percussion Concerto
Dvořák, Symphony No. 7 in D Minor

Lisa Pegher is an American drummer and  percussion soloist currently living in New York City. She has been described by the Boston Globe as “forcefully balletic” and by critic Marty Lash of the Door County Advocateas “a gifted passionate artist, with a rock-star aura.” She has been featured in Symphony Magazine as one of the top six performers of her generation and continues to carve a new path for percussion as a solo instrument.

As a soloist Lisa has performed with many fine orchestras across the globe including the Louisiana Philharmonic, the Pittsburgh Symphony Orchestra, NEPA Philharmonic, Williamsport Symphony Orchestra, Asheville Symphony Orchestra, FM Symphony Orchestra, Southwest Michigan Symphony Orchestra, York Orchestra and the Acadiana Symphony Orchestra, Lansing Orchestra, Lima Symphony Orchestra, Elmhurst Orchestra, and Peninsula Festival Orchestra among others. She has also worked with many inspiring conductors such as Grant Cooper, Thomas Hong, Manfred Honeck, Maximo Valdez, Daniel Meyer, Timothy Muffitt, Victor Yampolsky, Lawrence Loh, Sydney Harth, Lucas Richman, Kevin Noe, Crafton Beck, Tomasz Golka, Emily Ray, Robin Fountain, Brett Mitchell, Bernard Rubenstein, Robert Hart Baker, and Gil Rose. In August 2011 Lisa performed with the Cabrillo Festival of Contemporary Music Orchestra in Santa Cruz, California celebrating Marin Alsop’s twenty year anniversary season.

She has also recently performed with the Grand Junction Orchestra in Colorado playing Jennifer Higdon’s Concerto for Percussion and is also performing concerti by Joseph Schwanter, James MacMillan, Kevin Puts and Christopher Rouse. Lisa gave the Wisconsin premiere of Tobias Brotrøm’s Arena Percussion Concerto with the Peninsula Festival Orchestra in August 2010 and recently premiered and recorded Mathew Rosenblum’s Double Concerto for Saxophone and Percussion with the Boston Modern Orchestra Project, Gil Rose and Kenneth Koon. This recording will be released on the BMOP Sound label in coming months. As an advocate of new music, she also recently premiered a new marimba solo by composer, Derek Bermel at the Institute for Advanced Studies in Princeton, New Jersey and has also been involved with commissioning new works from Martin Bresnick and Paul Lansky.

Constantly looking for new artistic ways to present percussion to a broader audience, Lisa is currently performing her own multi-media project called: Minimal Art, which incorporates digital animation design, computer electronics and improvisation. It is featured on her newly released album. She also recently won a grant from Meet the Composer allowing her to commission a new percussion concerto by American Composer, David Stock that she premiered with a consortium of orchestras beginning in the 2007-08 season. Previous to the launch of full-time solo career, Lisa performed as the Principal Timpanist of the Acadiana Symphony Orchestra and Section Percussionist with the Baton Rouge Symphony Orchestra.

Lucky Plush Productions: Fall Season at Links Hall

August 13th, 2013 by Sam Zelitch No comments »

Julia-Rhoads-01-William-Frederking

From October 3-13, 2013, Chicago’s Lucky Plush Productions will perform two works – Cinderbox 2.0 and The Better Half in repertory at the new Links Hall, 3111 N. Western Ave, Chicago. Lucky Plush Productions (LPP) is a Chicago-based dance theater company committed to provoking and supporting an immediacy of presence – a palpable liveness – shared by performers in real-time with its audiences. Tickets are $20 ($15 for students and seniors). For more information and tickets, please visit www.linkshall.org or call 773.281.0824.

Dancer and choreographer Julia Rhoads (founding Artistic Director of Lucky Plush) is the recently announced 2013 recipient of the Alpert Award in the Arts. The Alpert Award in the Arts is an unrestricted prize of $75,000 given annually to five risk-taking mid-career artists working in the fields of dance, film/video, music, theatre and the visual arts. Rhoads combines theatre, physical comedy, full-throttle postmodern dance, and social commentary to wrestle with issues of gender, originality, appropriation, and group dynamics. Her attention to ‘presence’ reminds audiences of the power and intimacy possible in live performance.

SCHEDULE OF RUN:

Cinderbox 2.0 will be performed on Oct 3 and 4 at 7pm, Oct 5 at 4pm, and Oct 11, 12, and 13 at 7pm.

The Better Half will be performed on Oct 5, 6, and 10 at 7pm and Oct 12 at 4pm.

The LUCKY PLUSH DOUBLE FEATURE is offered on Oct 5 and 12 and will involve a discounted ticket which will entitle audience members to see both shows, as well as to take part in an informal discussion with the artists in between shows that includes food and a complimentary drink. Email dana@luckyplush.com to reserve a space.

In Cinderbox 2.0, LPP’s Artistic Director Julia Rhoads revisits the distinctive world of Cinderbox 18 (2007, Museum of Contemporary Art Chicago) with new material. A playful and surreal take on media’s voyeuristic approach to “reality,” Cinderbox 2.0 blurs the distinctions between observer and observed, personal and presentational, scripted and off-the-cuff, and spirals into a dark comedy that is oddly familiar and wonderfully surprising. Original music by Michael Caskey, video design by John Boesche, and lighting design by Kevin Rechner.

The Better Half 1_Cheryl MannThe Better Half is a dance theater spin on the psychological thriller Gaslight, co-created by Lucky Plush Artistic Director Julia Rhoads and theater director Leslie Buxbaum Danzig (of 500 Clown). Launching from this classic film, layers of fiction and reality accumulate, revealing the elusive boundaries between life versus borrowed plotlines. Ultimately a new narrative emerges, capturing the habitual patterns, escapist tendencies, and resilience in contemporary relationships through a complex mix of dance and theater languages. The Better Half premiered at the Museum of Contemporary Art in 2011, but now features new material.

Lucky Plush Productions (LPP) is dedicated to creating work that is richly and uncompromisingly complex while also being accessible to broad audiences. Critics and audiences alike recognize LPP for its playful interactions, surprising humor and incisive commentary on contemporary culture.


CAM 2013 stacked w date
Lucky Plush Productions will be part of Chicago Artists Month 2013, the 18th annual celebration of Chicago’s vibrant art community presented by the Chicago Department of Cultural Affairs and Special Events.  For more information, visit 
www.chicagoartistsmonth.org.

Pianist Inna Faliks at Chicago’s Beethoven Festival LOVE 2013

August 9th, 2013 by Sam Zelitch No comments »
September 13, 2013
4:30 pm

6966On Friday, September 13, Inna Faliks will perform an afternoon concert as part of the International Beethoven Project’s Beethoven Festival LOVE 2013, presented by the International Beethoven Project. In addition to Beethoven’s well regarded Piano Sonata No. 23 (Appassionata), Faliks will also play the composer’s Polonaise, Op. 89 and Schumann’s Davidsbündler, Op. 6. This will be Faliks’s third year participating in the festival.

The concert will take place at Merit School of Music’s Joy Faith Knapp Music Center (38 S. Peoria Street, Chicago), dubbed “Ludwig’s Salon” during the course of this Festival, September 7-15. Ticket prices vary and students and children can receive free admission. For more information, please call (312)-772-5821 or email ibp@internationalbeethovenproject.com.

COMPLETE PROGRAM: 

FRIDAY, SEPTEMBER 13 AT 4:30 PM: THE STRINGS (HEART)

Beethoven, Polonaise, Op. 89/Sonata, Op. 57 (Appassionata)
Schumann, Davidsbündler, Op. 6

Called “adventurous” and “passionate” by The New Yorker, Ukrainian-born, New York City based pianist Inna Faliks has established herself as one of the most passionately committed, exciting and poetic artists of her generation. After acclaimed her teenage debuts at the Gilmore Festival and with the Chicago Symphony Orchestra, she has performed on many of the world’s great stages, with numerous orchestras, in solo appearances, and with conductors such as Leonard Slatkin and Keith Lockhart. She recently appeared alongside British actress Lesley Nicol (“Mrs. Patmore” from Downton Abbey) in Nigel Hess’s production of Admission: One Shilling, a staged tribute to the legendary Dame Myra Hess. Her critically acclaimed CD on MSR Classics, Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel. Her discography also includes a recital recording for the Yamaha Disklavier library, and her new Beethoven recording will be out this year. Faliks recently joined the illustrious faculty of UCLA, Herb Albert School of Music, as Professor of Piano.