WordPress Web sites for artists at Creative Chicago Expo

March 1st, 2011 by Peter McDowell No comments »
March 12, 2011
10:30 amto11:30 am

Peter McDowell and Ari Salomon will offer the free workshop “WordPress Web sites for Performing and Visual Artists” at the 2011 Creative Chicago Expo held at the Chicago Cultural Center, 78 E. Washington.

Using dynamic discussion and visual examples, this workshop for Creative Chicago Expo 2011 will go through the basics of establishing a strong online presence for performing and visual artists with a focus on:

• Branding: Simple logo vs Complete visual identity (logotype, logomark, business card and other matching print collateral)
• Content Management System (CMS): How it can empower the delivery of constantly changing information to key audiences
• The differences between WordPress.org (requiring a web developer) and WordPress.com (free do-it-yourself) sites.
• Building a strong platform for online marketing: SEO (Search Engine Optimization), SEM (search Engine Marketing) and social networking efforts to drive traffic
• How a web site fits into a larger marketing effort
• Costs and timelines: getting your content together before you approach a designer
• Time management: “Don’t be a programmer, be the best artist you can be.”

Peter McDowell and Ari Salomon believe in the necessity of access to effective, attractive, functional web sites for performing and visual artists. McDowell (a veteran of 20 years experience in arts management) and Salomon (a web designer and developer for 15 years) have teamed up since 2009 seeking to provide a low-cost, high quality option in web marketing for artists by creating over a dozen web sites for artists and by training them how to update and maintain their new sites. Their upcoming venture, PerformSites, will launch in Spring 2011.

 

Pianist Jenny Lin in an All-Ligeti Program

February 25th, 2011 by Peter McDowell No comments »
March 31, 2011
8:00 pm

Pianist Jenny Lin

Greenwich House Music School (GHMS) is pleased to present a not to be missed all-Ligeti program by one of today’s most respected young pianists, Jenny Lin, on Thursday, March 31 at 8 p.m. Hailed as “brilliant” and “beautifully attentive” (Anthony Tommasini, The New York Times), Lin will perform ten of György Ligeti’s Études pour piano (1985-2001), as well as his Continuum for Harpsichord (1968), and Musica ricercata (1951-3).

The concert is presented as part of the 25th anniversary season of North River Music – one of New York City’s first concert series devoted to new and experimental music and founded by Frank Wigglesworth in 1985. The concert will be followed by a reception. The concert will be held at Renee Weiler Concert Hall, Greenwich House Music School, 46 Barrow Street (between Bedford St. & 7th Ave. S), NYC. Tickets are $15 General Admission/$10 Students/Seniors – all tickets are payable at the door from 7:30pm. More information is available at (212) 242-4770 or at  www.greenwichhouse.org/programs/arts/music

György Ligeti

Written between 1985 and 2001, Ligeti’s Études pour piano (Book I, 1985; Book II, 1988–94; Book III, 1995–2001) are considered by many as the best piano works of the last 50 years. Combining virtuoso technical problems with new ideas, they draw from such diverse sources as gamelan, one of his favorite jazz pianists, Thelonious Monk, African polyrhythms, Bartók, Conlon Nancarrow, and Bill Evans. Jenny Lin will perform Etudes No. 1,3,4,7,8,11,13,16,17, and 18.

Continuum for harpsichord (1968) was dedicated to the contemporary harpsichordist, Antoinette Vischer. Around the time of writing Continuum, Ligeti turned away from total chromaticism and began to concentrate on rhythm, and the work is described by the composer as “a series of sound impulses in rapid succession which create the impression of continuous sound.”

Musica ricercata (1951-1953) is a set of eleven pieces. Although the ricercata (or ricercar) is an established contrapuntal style (and the final movement of the work is in that form), Ligeti’s title can be interpreted literally as “researched music” or “sought music.” This work captures the essence of Ligeti’s search to construct his own compositional style, and as such foreshadows many of the more radical directions Ligeti would take in the future. Another important feature of the piece is that the composer confines himself to certain pitch classes in each movement, with each subsequent movement having exactly one more pitch class than the last.

Founded by Mary Kingsbury Simkhovitch in 1902, Greenwich House is a nonprofit settlement house which offers cultural and educational programs, social and health services and opportunities for civic involvement to New Yorkers of all ages and backgrounds – from any neighborhood. Greenwich House Music School, located in the historical West Village, provides a wide range of concerts and recitals as well as instructional classes and outreach in NYC’s public schools. With a faculty of about 50 instructors, its has 520 students ranging in ages from 3 years old to seniors — from beginner to advanced — in classes and private lessons, in piano, voice, violin and viola, cello, clarinet, flute, guitar, five-string banjo, saxophone, trumpet, trombone, harp and the Chinese qin, a seven-string plucked instrument. www.greenwichhouse.org

Funding for North River Music is provided, in part, by the New York State Council on the Arts, the Virgil Thomson Foundation, and the Aaron Copland Fund for Music.

Inna Faliks plays Beethoven, Schubert, Liszt, Ravel, and Gubaidulina

February 24th, 2011 by Peter McDowell No comments »
March 16, 2011
8:00 pm


On Wednesday, March 16, 2011 at 8:00 PM, in Weill Recital Hall at Carnegie Hall, as part of their 45th Anniversary year, Pro Musicis presents pianist Inna Faliks, winner of the 2005 Pro Musicis International Award.

Following her acclaimed debut with the Chicago Symphony Orchestra at age 15, Ms Faliks has performed on many of the world’s great stages under such noted conductors as Leonard Slatkin and Keith Lockhart. Recent appearances include the Poisson Rouge in New York City, the Embassy Series in Washington D.C., the Salle Cortot in Paris, broadcast recitals in Chicago, and LACMA’s music and art series in Los Angeles.

Her chamber music partnerships include work with Colin Carr, Nathaniel Rosen and Nina Beilina. She is a favorite at festivals in the U.S. and Europe, including Verbier, Taos, and Bargemusic. Her innovative and interdisciplinary series, Music/Words, links contemporary poetry and live piano performances.

A native of Odessa, Ukraine, Ms. Faliks is the recipient of numerous awards. She has a master’s degree from Peabody Conservatory in Baltimore, a doctorate from Stony Brook University, and an Artist Diploma from the Accademia Pianistica Internazionale in Imola, Italy. Her teachers include Leon Fleisher, Ann Schein, and Gilbert Kalish. She lives in New York City and is on the piano faculty of Northeastern Illinois University in Chicago. She performed her Pro Musicis debut recital in Weill Hall in 2006.

Program:

  • Ludwig van Beethoven, Fantasy in G minor, Op. 77
  • Franz Schubert, Sonata in A minor, Op. Posth. 143
  • Franz Liszt, from Transcendental Etudes, No. 11 & 10
  • Sofia Gubaidulina, Chaconne
  • Maurice Ravel, Gaspard de la Nuit, Poems for Piano

Tickets $25 (seniors/students $15) at the Box Office or online at www.CarnegieHall.org or CarnegieCharge 212-968-4288

For information, Pro Musicis, 212-787-0993 www.promusicis.org

“Languages Lost and Found” at Rubin Museum and in CT

February 17th, 2011 by Peter McDowell No comments »
February 23, 2011 1:00 pmtoFebruary 25, 2011 4:00 pm

NORTHERN LIGHTS STUDIO MONTAGE © JON H. DAVIS


Languages Lost and Found: Speaking & Whistling the Mamma Tongue is a short film celebrating diverse linguistic and cultural practices from around the world.  Watch a short preview, or click on the image above.

This film screening and discussion will be held on Wednesday, February 23rd from 1-2pm at the Rubin Museum of Art, in conjunction with UNESCO designated International Mother Language Day and the museum’s Lunchmatters program as part of the Body Language Series. The Rubin Museum is at 150 West 17th St. (at 7th Ave.) in New York City. An additional screening will take place on Friday, February 25th at 3pm at Central Connecticut State University, Torp Theater, Davidson Hall, 1615 Stanley St. in New Britain, CT. More info is at www.theatre.ccsu.edu/directions.html

In footage spanning five continents–from rainforest longhouses in Borneo to dramatic mountaintops in the Canary Islands–dynamic visions of art, music, and dance are woven into a vivid, global mosaic. The way we think, speak, and express our ideas is a reflection of our language. This film reminds us of how quickly some languages are disappearing while introducing the native tongue as an all-important vehicle for maintaining culture, sharing traditional wisdom, and envisioning the future.

Academy award-winning actor William Hurt narrates the film, which features music by composer John McDowell, known for his evocative score for the Oscar-winning documentary, Born Into BrothelsIris Brooks and Jon H. Davis (co-producers and directors) are cultural reporters and explorers who pursue everything from rituals to royalty in far-flung destinations around the world, while keeping their eyes and ears open to the unexpected. At Northern Lights Studio, Brooks and Davis tell tales of exotic travel and culture infused with a refined sensibility through a variety of media: video documentaries, text, photos, graphics, music, and art.

“The melody of this cultural collage is soul-piercing; if we lose our mother tongue, we may lose the essence of who we are.”
-Juliette Blevins, Director of Endangered Language Initiative

Lunatics at Large – The Sanctuary Project

February 17th, 2011 by Peter McDowell No comments »
April 8, 2011
8:00 pmto9:00 pm
April 10, 2011
7:00 pm
April 21, 2011
7:30 pm


An exciting selection of established and emerging poets and composers have been commissioned by the New York City based new music ensemble Lunatics at Large to write works on the theme of “sanctuary.” After its multi-disciplinary opening performance at Weill Recital Hall on March 21, 2011, where Lunatics at Large premiered the five commissioned chamber pieces and poets read their Sanctuary poems (which were also commissioned by Lunatics at Large), the program will be re-performed several times in actual sanctuaries (of a church and a synagogue) in New York City and at WMP Concert Hall.

“The Sanctuary Project” features composers André Brégégère, Mohammed Fairouz, Raphael Fusco, Laura Koplewitz, & Alex Shapiro; Their music is paired with poetry by Rob Buchert, Joanna Fuhrman, David Shapiro, Yerra Sugarman, & Ryan Vine.

Lunatics at Large group members include Katharine Dain (soprano), Jonathan Engle (flute), Ben Ringer (clarinet), Arthur Moeller (violin), Jen Herman (viola), Andrea Lee (cello) and Evi Jundt (piano).

Performances of The Sanctuary Project will happen in actual sanctuaries at Christ and Saint Stephen’s Church, 122 West 69th Street, New York City (April 8, 8pm) and at the Synagogue for the Arts, 49 White Street, New York City (April 10, 7pm), and at WMP Concert Hall , 31 East 28th Street, New York (April 21, 7:30pm). Tickets for all April performances are $20 for adults and $10 for students and seniors.

Works are:

Sanctuary by André Brégégère (b. 1975)
Poetry by Yerra Sugarman
>>This piece explores the vivid imagery of Sugarman’s poem and her vision of ‘Sanctuary’ as a repository for the past, embarking the listener on a musical journey through the intricate landscape of our collective memory.

Unwritten by Mohammed Fairouz (b. 1985)
Poetry by David Shapiro
>>Acclaimed composer for the voice Mohammed Fairouz’s latest cycle chronicles the last days and demise of Socrates “the greatest man who ever lived”.

Unsolicited Advice: Four Rules of Your Pal, Ward by Raphael Fusco (b. 1984)
Poetry by Ryan Vine
>>Fusco’s setting of Vine’s “Ward’s Rules” explores the therapeutic powers of laughter and advice whether it is solicited or not.

The Wondering Wayside by Laura Koplewitz (b. 1966)
Poetry by Joanna Fuhrman, David Shapiro, Yerra Sugarman & Ryan Vine
>>In “The Wondering Wayside,” a traveler asks questions of gods and angels, on a journey from desert, to mountains, temple, and across waves, in an impressionistic exploration of a 2lst century pilgrim’s progress.

Unabashedly More by Alex Shapiro (b. 1962)
Poetry by Rob Buchert
>>Each expressive note in Shapiro’s “Unabashedly More” creates a sanctuary for the listener; a safe place in which to experience an emotional journey from lyrically pensive to explosively joyous.

The poems will be read by the poets in between the performance of the chamber pieces. Three of the five commissioned chamber pieces (Fairouz, Fusco, and Koplewitz) include a vocal line – poetry from the participating poets set to music. Some of these poems are new (commissioned for this project), some older works. More information about poets and composers is available at www.lunaticsensemble.com.

ABOUT THE SANCTUARY PROJECT: COMMISSIONING AND ARTISTIC PROCESS

“The Sanctuary Project is an exploration of Sanctuary, which we all, creative artists, performing artists and public, connect to in very personal and different ways,” says Project Director Evi Jundt, also the pianist in the ensemble. “The creative insight gained through a collaborative process spanning over twelve months between poets, composers and performing musicians will represent a unique artistic investigation, inviting audiences to re-discover and expand their own conception of Sanctuary.”

Of the commissioning and artistic process, Jundt states: “we picked artists whose work we believed would be evocative of the theme ‘Sanctuary.’ First, the poets presented one new poem and some older works to the composers. The composers then chose which poet(s) they felt compelled to collaborate with. Each collaboration happened on its own terms: in one case, it resulted in a group of poems set to music in a song cycle; in another case, the poet helped find examples of folk music to be quoted in the composition. In the next stage, musical compositions served as inspiration for another new work by the poets. Finally, the poets – the initiators of the process – will join the musicians onstage while reading their work in between performances of the chamber pieces.”

ABOUT LUNATICS AT LARGE

Called “young, energetic and finely polished” by Allan Kozinn of the New York Times, Lunatics at Large is a large mixed ensemble combining voice, strings, winds and piano, and was formed in 2007 to explore the timbral possibilities of chamber music repertoire from the beginning of the 20th century until now. In thematic concerts, the group juxtaposes standard repertoire and chamber pieces from established composers of the 20th century with more recent works. Lunatics at Large thus encourages listeners to hear connections between works and appreciate very recent compositions in the perspective of the evolution of classical music over the last 110 years. Lunatics at Large is committed to working closely with living composers and to commissioning new pieces for its expanded Pierrot instrumentation. The group also embraces collaborative projects with artists from other art forms and is organizing several interdisciplinary performances involving poets, living composers and visual artists in upcoming seasons.

The Sanctuary Project is made possible in part with public funds from the Fund for Creative Communities, supported by New York State Council on the Arts, and from the Manhattan Community Arts Fund, supported by the New York City Department of Cultural Affairs, and administered by Lower Manhattan Cultural Council.