‘Un Monton de Notas is one of the strongest Latin jazz albums of the year and one I highly recommend for listeners looking for something new.’ Brad Walseth, Chicago Jazznet

Emilio Teubal & La Balteuband have released two crittically aclaimed albums: ‘La Balteuband’ (2006), and the recently released ‘Un monton de notas’ (2009)

The band:
Emilio Teubal: piano
Franco Pinna: Drums
Marcelo Woloski: percussion
Moto Fukushima: electric bass
Sam Sadigursky: clarinet and sop. sax
Xavier Perez: tenor and sop sax, flute
Greg Heffernan: cello

Iridium is located at 1615 Broadway (at 51st) in New York. Tickets: 212-582-2121

Emilio Teubal, Argentinean, born in Spain, has lived for more than a decade in NYC where he earned a BFA in jazz performance from the City College of New York graduating Magna Cum Laude. He has also been awarded with the prestigious Meet The Composer’s Van Lier Fellowship 2007 .He has performed in some of the most prestigious jazz clubs in NYC such us Blue Note, Birdland, Sweet Rhythm, Dizzy’s Coca Cola Club, Joes Pub, Cornelia Street Cafe, 55 Bar and The Knitting Factory among others. Emilio has been a member of different New York based music ensembles such as Sebastian Cruz’s Coba, Los Chantas Tango Group, and the Marta Gomez’s group, with whom he has toured the USA, Mexico, Spain and Argentina.

Emilio’s Band, La Balteuband is a multinational instrumental ensemble based in NYC. His compositions are a blend of jazz and elements of Argentine music, such as rhythms like chacarera and zamba along with the lyricism of tango melodies.

La Balteuband’s music consists of rhythmically and harmonically rich pre-composed structures and improvised sections that highlight the musicality of each member of the band. This is what makes each performance of the group so fresh and special.

La Balteuband has performed in New York venues such as the Joes Pub, 55 Bar, Makor, Cornelia Street Cafe, Galapagos Arts Space, and many more.

Wednesday is movie night in Latin America, and at El Museo. This session of Nuevo Cine focuses on former Tupamaro leader Dr. Engler, who was held hostage for thirteen years during the Uruguayan dictatorship. Today, a renowned Swedish citizen and scientist, he revisits the places of his painful past, painting an intimate and disturbing portrait of life in prison during a dictatorship. Directed by José Pedro Charlo and Aldo Garay, EL CIRCULO reflects the power of a person facing adversity. Co-Director of the film J. P. Charlo will be present at the screening to share some of his experiences making the movie.

This event is organized by the The Uruguayan Cultural Group of New York and El Museo del Barrio, with the support of the Ministry of Culture & Education in Uruguay.

PROGRAM
Introduction: Gonzalo Casals, Director of Public Programas at El Museo del Barrio
Performance: Sabrina Lastman – voice, Oscar Vallejo – guitar/voice
Screening
J. P Charlo talks with the audience
Reception

EL CÍRCULO – THE CIRCLE
Documentary / Uruguay / 2008 / 92 min. / Morocha Films
Director: Aldo Garay, José Pedro Charlo
Actors: H. Engler, M. Rosencof, R. Sendic, E. Huidobro, J. Zabalza y J. Mujica
Playwright: José Pedro Charlo, Aldo Garay
Music: Daniel Yafalián.

AWARDS
- Audience Award for the best documentary at the Sydney Latin American Film Festival, Australia 2009
- Premio Zapata for the best camera at the Festival de la Memoria, Mexico 2009
- Honorable Mention at the Festival de Cine de Derechos Humanos – DerHumALC, Argentina 2009
- Biznaga de Plata for the best documentary at the Festival de Málaga, Spain 2009
- Best Film, best director, best screenplay at the Festival Internacional de Documentales Santiago Alvarez In Memoriam,
Santiago de Cuba, Cuba 2009
- Award of the FIPRESCI/The International Federation of Film Critics – Uruguay for the best documentary 2008 in the category
International plus awards for the best Uruguayan director, the best screenplay of an Uruguayan film and the best camera of an Uruguayan film
- TeleSur-winner at the Festival Internacional del Nuevo Cine Latinoamericano, Havanna, Cuba 2008
- Best film at the Festival del Cinema Latino Americano, Trieste, Italy 2008
- Best documentary, best documentary – long metrage, best director, best screenplay, best soundtrack at the festival Internacional de Cinema Bahía, Salvador-Bahía, Brazil 2008
- World premiere at the festival É Tudo Verdade – It’s All True, Sao Paulo, Brazil 2008

This year’s winners are: Garrett Chou, cello; Jonathan Cruz, piano; Amanda Fan, piano; Yoan Ganev, piano; Kevin Hu, violin; Thomas Huang, piano; Ryan Jannak-Huang, piano; Adele Lee, violin; Chloe Lee, violin; Claire Lee, cello; Tabitha Oh, violin; Frank Wu, piano; Josiah Yoo, cello: Joshua Zhu, piano

The Virginia G. Behrendt Scholarship this year goes to the “Eastern Sea Quartet” - Ari Barack Fisher, violin, James Gan Stinehart, cello, Mengsha Gong, viola, Mimi Liu, piano.

The concert also features a guest performance from the Chinese Instrument Category: Angelina Cheng, guzheng.

Program:

• Fighting the Typhoon by Wang Chan Yuan, performed by Angelina Cheng, guzheng
• Embroidering a Silk Banner, Arr. by Jiang Chong Wang, performed by Thomas Huang, piano
• The Cat and the Mouse, by Aaron Copland, Joshua Zhu, piano
• Peony Lullaby by Frank K. Leung, performed by Claire Lee, cello
• Shepherdess, by Kuo Chuen Lee, performed by Adele Lee, violin
• Dance of the Gnomes, by Franz Liszt, performed by Amanda Fan, piano
• The Spring of Sharaba, Chinese Folk Song, performed by Jonathan Cruz, piano
• Hungarian Rhapsody, Op. 68, by David Popper, performed by Josiah Yoo, cello
• Blissful Night by Tien Hwa Liu, performed Chloe Lee, violin
• Sonata No. 3, A minor, Op. 28, by Sergei Prokofiev, performed by Ryan Jannak-Huang, piano
• Reeds in the Wind, by Chu Chiang Wu, performed by Yoan Ganev, piano
• Tzigane by Maurice Ravel, performed by Tabitha Oh, violin
• Field by Ba Hai Tu, performed by Garrett Chou, cello
• Gaspard de la Nuit (selection) by Maurice Ravel, performed by Frank Wu, piano
• Violin Concerto No. 1 (selections) by Dmitri Shostakovich, performed by Kevin Hu, violin
• To the Eastern Sea Quartet by Michael Djupstrom, performed by the Eastern Sea Quartet

Held every year in late October, at the time of the birthday of the legendary Chinese philosopher, hundreds of young musicians compete in the annual Music Festival in Honor of Confucius, where they perform selected Chinese music, as well as a western piece of their choosing, for a panel of judges. In celebration of our 25th Anniversary, the Chinese Fine Arts Society was pleased this year to introduce a new Chinese Instruments Category within the Festival.

Founded by the late Barbara Tiao in 1984, the Music Festival in Honor of Confucius introduces participants to the rich heritage of Chinese music through competitions and scholarships. An exciting required repertoire reflects the beauty and breadth of the Chinese musical tradition and proves to be challenging and inspiring for the contestants. It exposes students and their teachers to a wider world of music and styles. Participants perform selected pieces divided by instrument and age.

According to Chinese Fine Arts Society Board President Julie Tiao Ma, daughter of late founder Barbara Tiao, “The Music Festival is an event that reflects some of the best and most admirable desires that we all share: peace, harmony and a mutual appreciation for beauty and art. The diverse ethnicities of the participants from our past years shows that despite being from different cultural backgrounds, we are by no means separated by those differences.”

Celebrating its 25th anniversary, the Chinese Fine Arts Society is a not-for-profit organization based in Chicago.  In Chicago’s culturally diverse society, CFAS provides programs and activities that promote the understanding of Chinese culture through music and other fine arts. In addition to the annual Music Festival in Honor of Confucius (MFHC), twice a decade CFAS also sponsors an International Music Composition Competition. For these competitions, they solicit new music compositions, inspired by a Chinese cultural theme, from composers worldwide. The winning compositions are premiered in a Chicago-area venue, performed by top-notch professional musicians. Through their Outreach program, CFAS presents cultural programming in nursing homes, schools, libraries, and underserved communities, as well as large scale events for locals and tourists in highly visible locations throughout the greater Chicago area, often engaging young participants from the Music Festival in Honor of Confucius to perform at these events.   In July 2009 CFAS was engaged by the City of Chicago to create several highly acclaimed special events held throughout Millennium Park and Navy Pier as part of Chinese Cultural Week in Chicago.

For further information about the Chinese Fine Arts Society or the Music Festival in Honor of Confucius, contact 312-369-3197 or info@chinesefinearts.org.

Jean-Pierre Schmitt

Javier Oviedo

Debra Kaye

On Saturday November 7, 2009 at 7:30PM, classical saxophonist Javier Oviedo (soprano and alto saxophones) will appear as a guest artist with the New York Chamber Virtuosi under the baton of conductor Jean-Pierre Schmitt. The benefit concert will take place at the Teatro at the Italian Academy, Columbia University, 1161 Amsterdam Avenue (between 116th/118th Streets). TIckets will not be available at the door but may be purchased in advance for a donation of $35 and can be obtained by calling 917 539 5828. Proceeds will go towards the Classical Saxophone Project, supported by the New York Foundation for the Arts.

PROGRAM:

• J.S. Bach:  Concerto for oboe and orchestra, transcribed for soprano sax by Javier Oviedo
• A. Glazunov:   Concerto for alto saxophone and orchestra,
• Gabriel Grovlez:  Suite for alto saxophone and orchestra,
• Debra Kaye:  Changing Forms
• Eugene Bozza:  Aria, (orchestration by Jean-Pierre Schmitt)
• Louis Mayeur:  Variations Brillantes on the Carnival of Venise (orchestration by Schmitt)
• Saint-Saens:  Le Deluge
• Pierne:   Menuet du Roy and La Veillee de l’Ange Gardien

In May 2006, saxophonist Javier Oviedo teamed with French conductor Jean-Pierre Schmitt to begin a body of research and exploration of the original “classical” repertoire of the saxophone.  which has since peaked the interest of many of the most prominent figures in the classical music world.  Among those is the late French conductor, Jean Fournet, who himself expressed enthusiastic encouragement.

The main focus of this project, entitled “The Classical Saxophone” (www.ovittmusic.com) is to promote the much lesser known repertoire written for the saxophone and orchestra, with particular emphasis on the music by French composers of the turn of the 20th-Century.  As the saxophone is a French instrument, with French patents dating from the mid-1840’s, the first composers who took notice of its wide range of expression, were indeed, from France.  In fact, composers from Claude Debussy and Jacques Ibert to Florent Schmitt and Vincent D’Indy, composed music for the saxophone in a variety of settings from chamber music to solo concert music.  Despite the fame of these musicians, the saxophone still remains widely known as an instrument of jazz and popular music.

ABOUT THE ARTISTS

Acclaimed for his lustrous tone and formidable technique, New York-based Javier Oviedo has traveled across the U.S. and to three continents, bringing the significant but underplayed classical saxophone repertoire to new and appreciative audiences.  His engagements with orchestras such as the New Jersey Symphony, The Louisiana Philharmonic, and Orchestre Pasdeloup were great crowd-pleasers and have garnered invitations to play from around the world.  He has a special affinity for France and its history with the saxophone, and his musicological detective work has unearthed some forgotten gems of music for solo saxophone and orchestra. His impassioned performances of this repertoire have led to his  highly successful orchestral debut in Paris in 2008, and to a recording with Orchestre Pasdeloup – The Classical Saxophone, available for purchase at www.ovittmusic.com. As both a soloist and a chamber musician, Mr. Oviedo has performed in many of New York’s most prestigious locations such as Alice Tully Hall at Lincoln Center, Steinway Hall, Weill Recital Hall at Carnegie Hall, and the Dag Hammerskjöld Auditorium at The United Nations.  He is a charter member of The F.R.E.D. Chamber Players and plays on all their concerts, and he was an original member of the Elision Saxophone Quartet and can be heard on the latter’s LIVE Through the Years.

Praised for his precision and elegance at the podium, Jean-Pierre Schmitt was trained in the purest French conducting tradition, under the tutelage of his mentor and friend, maestro Jean Fournet. He has worked with the Conservatory Paris V youth orchestras and the International Orchestra in Paris. Soon after his arrival in the U.S. in 1988 maestro Schmitt was invited to conduct the Classic Chamber Orchestra of Connecticut, and the New York Lawyers’ Orchestra. He is greatly admired by the orchestra members he has conducted and possesses a rare ability to convey his musical insights to the performers.   He founded The French-American Chamber Orchestra in New York, with whom he performed in such venues as the Weill Recital Hall at Carnegie Hall, the Florence Gould Hall and the Dag Hammarskjöld Auditorium at the United Nations, where the ensemble was invited by the French delegation. He has recorded with this orchestra both Haydn concerti for cello, featuring soloist Arianne Lallemand. Mr. Schmitt is the permanent conductor of the New York Wind Symphony. He has worked extensively with classical saxophonist Javier Oviedo to make the repertoire of this instrument known to a larger public. They performed with the Louisiana Chamber Orchestra and in 2008 released a recording: The Classical Saxophone–a French love story with the Orchestre Pasdeloup in Paris and with Mr. Oviedo as soloist. Mr. Schmitt has been invited as guest conductor on several occasions to lead both the Chamber Orchestra and the Philharmonic Orchestra of Macedonia in the capital city of Skopje.

Composer Debra Kaye has written in an array of genres including chamber music, opera, art song, choral, and theatrical music. A graduate of Mannes College of Music, many of her collaborations have involved her colleagues there. She has received numerous commissions and her music has been performed throughout New York City and beyond. With roots in the classical tradition, her work is also influenced by jazz, and by her studies in Dalcroze Eurhythmics. Whether writing in a serious or a lighter style, Ms. Kaye’s aim is to communicate viscerally, often along a wide range of emotion. Honors include grants from Meet the Composer, The Fort Wayne Children’s Choir, Mannes College of Music, an Edward T. Cone Fellowship; residencies at the Millay Colony for the Arts and the Helene Wurlitzer Foundation. From 2003-2006 she served as executive director of the New York Composers Circle and is currently on the board of the Howland Cultural Center’s Chamber Music Circle in Beacon, NY.

Ms. Kaye holds degrees from Mannes College of Music and New York University and has been on the faculty of the Mannes College of Music Pre-College since 1991.

Today in New York City, thousands of miles away from Buenos Aires, there’s a new wave of composers making Argentinean music from today. Their influences can also be traced from many different sources.

In this first part of a series exploring new Argentinean music, pianist composer Fernando Otero, one of the most relevant figures in modern Tango in the world, will play original music infused by sounds from the streets of Buenos Aires and by classical/contemporary music. On the same bill pianist/composer Emilio Teubal will lead his New York based 7-piece band La Balteuband which brings a totally new perspective to Argentine jazz: original music infused by the polyrhythm of South American Folklore, the lyricism of Tango music, the energy of the Candombe, and some hints of free improvisation and minimalism music.

“The legacy of Argentinean music can’t be traced from only one specific source,” stated Teubal. “In Tango music, the music from Buenos Aires, for example, we can hear a conjunction of elements: from classical music (especially the romantic period), to folk music from Las Pampas (the milonga campera), and traveling through the sound of the drums coming from the Rio de la plata’s Candombe. In that same way, in the folkloric rhythms like Chacarera, we can also hear elements from Spanish music, to elements from African heritage”

Composer-Pianist Fernando Otero was born in Buenos Aires, Argentina and currently resides in New York City. He has recorded 8 solo albums.,.”Pagina de Buenos Aires”, released by Nonesuch on 2007 achieved worldwide recognition, followed by “Material” (Warner Music, 2008) and later “Vital”, released by Harmonia Mundi. His latest projects include recordings, compositions and live performances with Paquito D’Rivera and the Kronos Quartet.

Argentinean pianist and composer Emilio Teubal, born in Spain, has lived for almost a decade in New York City where he recently released his second album Un monton de notas (A bunch of notes). He was awarded the prestigious Meet The Composer’s Van Lier Fellowship 2007 and has also performed in some of the most prestigious jazz clubs in NYC such as Blue Note, Birdland, Sweet Rhythm, Dizzy’s Coca Cola Club, Joe’s Pub, Cornelia Street Cafe, 55 Bar and The Knitting Factory among others. Teubal earned a BFA in jazz performance from the City College of New York graduating Magna Cum Laude.

A Canadian currently residing in New York City, award winning composer and performer Rob Mosher plays oboe, English horn and soprano sax.

On October 4, from 5-7pm, Storytime will be the featured band at St. Peter’s Church Jazz Vespers. Read more about this unique church and their jazz ministry here.

St. Peter’s Church is at 619 Lexington Ave at 54th street in New York City. Admission is free.

John McDowell and Emmanuel Vukovich. Photo by Janet Maya.

OK here’s my disclaimer right off the bat – YES!, composer and musician John McDowell is my brother. But much more than that, he’s the composer of the original soundtrack to the Academy Award winning documentary Born into Brothels and in his various guises and bands, he’s been heard at Lincoln Center, the UN, the Montreal Jazz Festival, and at many music, dance and theater festivals throughout Europe and North America. He has performed and recorded with artists ranging from Sting, Carlos Santana, and Krishna Das to Rusted Root.

John has been an organic, biodynamic farmer in Rockland County, NY for many years. Now, he brings his interest in music and farming together, thanks to a duo project with Canadian violin virtuoso (and also farmer!) Emmanuel Vukovich, winner of Canada’s first Golden Violin award. Operating under the name Music for Farms, the group has a mission to revive and sustain local organic agriculture and farming communities through the arts.

The duo will weave an evening of music inspired by an exploration of connecting opposites – such as in their original work based on Wolfram von Eschenbach’s Parcifal legend, the meeting of Eastern and Western classical music in their own transcription of Ravi Shankar and Yehudi Menuhin’s Swara Kakali, in their personal backgrounds of jazz and classical music, and finally in their own lives of practicing music and farming side by side.

Upcoming performances in New York and Canada include:

September 18 at the Heliconian Club in Toronto, Canada (As a tie-in to the Toronto International Film Festival’s premiere of documentary film Stolen)
September 20 at Novalis Hall, Angus, Ontario, Canada
October 1 at the Golden Key Society in New York City

The performers will also share some of their experience as farmers and present an excerpt from a film about music and farming entitled Bach in a Barn. Violinist Vukovich states “Originally, music, dance, and artistic culture in general were strongly inter-connected to, and a part of, our human civilization’s relationship to nature. This was expressed in traditional agrarian society through rituals in rhythm with the seasons – such as harvest festivals. As people have migrated more and more to large urban centres, artistic cultural life has tended to separate from agricultural life. We go to concerts in the city, and we get our food from farms in the country. This has often created a void and famine of culture and arts in rural farming communities, and a corresponding disconnect/abstraction in the arts.”  To this end, the proceeds from this event will go towards the creation of a foundation which works to connect world-class music-making and artistic culture with local sustainable agriculture and farming communities.

Rashied Ali

Zach Brock

Brooklyn based jazz violinist Zach Brock will be featured in A Memorial Tribute to Rashied Ali at Manhattan’s Le Poisson Rouge, 158 Bleeker Street on Saturday, September 5th at 7pm

The tribute will feature Collective Language – Gregg Bendian, drums and Brock, violin (The Mahavishnu Project) with Jon Irabagon, sax (2008 Thelonius Monk Award winner) and Peter Brendler, bass – interpreting the music of “Interstellar Space” and late-period Coltrane.

The late Rashied Ali, born Robert Patterson (July 1, 1935 – August 12, 2009) was an American free jazz and avant-garde jazz drummer best known for playing with John Coltrane in the last years of Coltrane’s life.

Here’s more about Zach — his official bio:

Throughout the first ten years of his career as a jazz violinist, Zach Brock has shunned conventional notions of his instrument’s role in the jazz idiom. He has been heralded by Blue Note artist and MacArthur Grant recipient Patricia Barber as “the one on whom to place your bets in jazz” and lionized as “the great bright hope for jazz violin” by the Chicago Tribune. Brock’s wide-ranging accomplishments as a performer, composer, bandleader, and producer place him in the company of today’s leading independent jazz innovators.

Brock’s latest creative project emerges from his role in the upcoming independent documentary film “Passion,” a tribute to the late Polish virtuoso jazz violinist Zbigniew Seifert, produced and directed by Erin Harper. This new project offers a fresh take on the music of Seifert while presenting new music and arrangements by Brock that are inspired by the late violinist’s life and work, as well as Brock’s own personal journey during the filming of the documentary.

Brock’s arrival on the international jazz scene is a culmination of five years with his first ensemble, The Coffee Achievers. Originally convened for Brock’s debut recording, The Coffee Achievers progressed from a circuit of Midwest jazz clubs to performing at the Tudo e Jazz Festival in Ouro Preto, Brazil. The group also produced three recordings and a live DVD on Brock’s own label, Secret Fort Records.

Brock’s growing reputation as a jazz performer has recently been heralded by magazines such as Downbeat, which confirmed his status as a “rising star,” Strings magazine, and the College Music Journal. The Los Angeles Times called Brock “an intriguing young artist with a bright future”; the Chicago Tribune praised Brock’s “rising stature as the rare jazz fiddler with something significant to say.”

While working as bandleader, composer and producer, Brock still makes time to expand his resume, collaborating with an impressive roster of celebrated artists such as bassist Stanley Clarke, vocalist/pianist Patricia Barber, and drummer Dennis Chambers, as well as Alice Coltrane, Jack DeJohnette, Mose Allison, Kurt Elling, Chris Potter, John McLean, Grazyna Auguscik, Matt Ulery, The Mahavishnu Project and Eastern Blok.

Jody will be playing a solo set of new compositions she’s commissioned for voice, cello & electronics, including:

• Christian Carey- “Song” and “Otherwise” (words Jane Kenyon)
• Lainie Fefferman- “Slash Plus” for voice, cello, & clarinet
• Daniel Felsenfeld- “From Sleepless Nights” (words Elizabeth Hardwick)
• Missy Mazzoli- “A Thousand Tongues” (words Stephen Crane)
• Molly Thompson- “Rhapsody’ (words Cynthia Huntington)

Also on the program is a set of original duo compositions by Daisy Press & Jody (duos for voices, cello & electronics), sets by Molly Thompson and Kamala Sankaram, and a guest appearance by clarinetist Eileen Mack.

Saturday, Aug. 29, 2009
8:00 pm
First Presbyterian Church of Brooklyn
124 Henry Street
Brooklyn, NY 11201
www.fpcbrooklyn.org
2/3 to Clark St. is the closest train

$10

With performers Jody Redhage, Daisy Press, Molly Thompson, Kamala Sankaram & Eileen Mack

Music by Redhage, Press, Thompson, Sankaram, Christian Carey, Lainie Fefferman, Daniel Felsenfeld, & Missy Mazzoli.

La Strada

Jody Redhage

For the third year in a row, I will be volunteer curator of a stage of music at Union Square in conjunction with the September Concert, a fantastic organization that produces and promotes musical events for peace all over NYC and the world on September 11th.

This year, in addition to the Union Square stage, I am also producing a more intimate evening concert at South Oxford Space in Brooklyn, thanks to my wonderful friends at American Opera Projects, one of the resident organizations at the space.

Both concerts are free. For the open air Union Square concert, just come on down. For the indoor South Oxford Space show, I recommend that you order your free tickets in advance. You can also just show up – more than likely there will be space! This concert is being held under the auspices of American Opera Projects’ Helping Hands program. Directions to the space are here.

Saxophonist Sam Sadigursky

The evening show has the theme/title: “Home Grown: a Harvest of Fresh Music for Peace.” It includes performances of mostly original music by Brooklyn- and New York City area-based classical and jazz musicians and also features fresh organic produce from local farms.

LINE UP UNION SQUARE, South side of square on 14th street, Manhattan
12 noon Oran Etkin / Abdoulaye Diabate Duo
1pm Zach Brock Trio
2pm Sing-a-long of song “Give Us Hope.”
2:05pm The DAAD Quartet featuring Can Olgun – piano, Martin Schulte – guitar, Johannes Felscher – bass, and Peter Gall – drums.
3pm Rob Mosher’s Storytime
4pm Jody Redhage and Fire in July
5pm La Strada

LINE UP SOUTH OXFORD SPACE, 138 South Oxford Street, Fort Greene, Brooklyn
8pm Pianist John McDowell and violinist Emmanuel Vukovich
8:45pm The Words Project w/Sam Sadigursky, Christine Correa and Dan Tepfer
9:30pm DAAD Quartet featuring Can Olgun – piano, Martin Schulte – guitar, Johannes Felscher – bass, and Martin Kruemmling – drums.
10:15pm Frank Carlberg Trio w/Christine Correa and John O’Gallagher

Questions? Contact me!