Archive for the ‘Events’ category

Blair Thomas presents “The Selfish Giant” on May 17 and 18

April 29th, 2013
May 17, 2013
5:00 pm
May 18, 2013
2:00 pm

selfishgiantTiny Tempest Farm hosts its annual organic vegetable and herb plant sale for two days this May. In addition, this year will feature two public performances of the family oriented puppet show The Selfish Giant by Blair Thomas & Co.

Owners Sheri Doyel and Blair Thomas, along with their twin sons, moved to Mohawk Road three years ago intending to share Sheri’s home-grown organic goods and Blair’s nationally regarded unique theater and puppetry with the community around Geneva Lake. This May, folks who garden and grow their own food will get a kick-start with the seedlings, and young and old can see the show in the family’s rustic dairy barn, transformed into a performance
space for the two-day event.

Suggested donation for The Selfish Giant is $5.00 for adults and children. Limited seating. Reservations recommended. Email info@blairthomas.org, or call 262-374-4903.

Recently presented at the Milwaukee Art Museum, The Selfish Giant was created by two theater icons— puppeteer Blair Thomas and singer-songwriter Michael Smith. Running time: 35 minutes.

Based on the tale by Oscar Wilde, the original puppets and music tell the story of a grumpy old giant who forbids the children in his village from playing in his beautiful garden. After the children are locked out, the trees and flowers refuse to grow and the garden plunges into an eternal winter. Then one morning, the children sneak back into the garden, bringing with them the joyous rebirth of spring.

This production was originally commissioned by the Chicago Children’s Theater and the world premiere was presented by the Chicago Children’s Theater in January 2008.

The Tiny Tempest Farm is located at W4355 Mohawk Road, Lake Geneva, WI 53147.

Bodies of Work Festival Explores Connection Between the Arts and Disabilities

April 14th, 2013
May 15, 2013toMay 25, 2013

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Chicago is very lucky to host the Bodies of Work Festival, May 15-25. As Chicago Sun-Times contributor Dr. Kristi Kirschner said in a 2006 op-ed, “There’s nothing like a good story or a powerful image to challenge old prejudices and open up possibilities.” The article was entitled “Experiences of disability guide new art,” a sentiment which the Bodies of Work Festival epitomizes. This year, the Festival will bring together artists from locales as varied as Australia, the United Kingdom, and Oak Park, Illinois, to relish the new art that disability engenders, offering their audiences new experiences in the process.

For fans of interdisciplinary arts, the Festival offers an interesting mix. Beginning on May 15, festival-goers will have a chance to see: contemporary artworks by 38 disability-focused artists on display at the Woman-Made Gallery; a new theatrical adaptation of Still Alice, the New York Times-bestselling novel, presented by Chicago’s own Lookingglass Theatre;  three one-person shows presented respectively at the Greenhouse Theater and Victory Gardens; a series of experimental short films and recent documentaries at the Museum of Contemporary Art; poetry readings at the Poetry Foundation; and at least two appearances by Chicago playwright Susan Nussbaum, author of the new novel Good Kings, Bad Kings.

The complete schedule is below. Note that it ends on May 25. That gives you ten days to get as much new art as you possibly can.

Festival hashtag for Twitter, Instagram: #BOWFestival2013

Bodies of Work (BOW) Festival is a an eleven day, multi-venue Chicago event that highlight the work of artists with disabilities. The festival celebrates national and international artists with disabilities who are creating today’s cutting-edge theater, dance, literature, poetry, spoken word, film, and visual/performance art. It takes place at some of Chicago’s most recognized cultural institutions, and includes free public panels and talks in conjunction with many of the events.

BOW Festival perceives disability art as playing a key role in articulating what disability means personally, politically, and aesthetically. Artists involved in the disability arts and culture movement consider their bodily, sensory, cognitive, and neurological differences as wellsprings of creativity that provide unique perspectives of the world. The movement is intimately tied to and has grown up alongside the disability civil rights movement, and the urgency and vibrancy shared by both are present in the beautiful and challenging work showcased in this festival.

“We are particularly excited about this year’s festival because of its focus on professional artists with disabilities whose work illuminates important issues and emerging aesthetics of our community as well as the larger arts community,” said Carrie Sandahl, Bodies of Work Director and Professor in the Department ofDisability and Human Development at the University of Illinois at Chicago. Bodies of Work: A Network of Disability Art and Culture is part of the Department ofDisability and Human Development at University of Illinois at Chicago.

Twelve cultural/academic institutions and community groups are participating: Access Living’s Disability Arts and Culture Project, Jane Addams Hull-House Museum, Hyde Park Art Center, Reva and David Logan Center for the Arts at the University of Chicago, Lookingglass Theatre, Museum of Contemporary Art Chicago, Poetry Foundation, Raven Theatre, Victory Gardens Theater, Northwestern University’s Medical Humanities and Bioethics Program, Greenhouse Theater Center, and Woman Made Gallery. The 2013 Festival partners include all presenting venues plus Momenta Dance Company, University of Illinois at Chicago, Tellin’ Tales Theater, and the Chicago Cultural Center. All venues are wheelchair-accessible and have accessible restrooms. Many performances include audio description, word-for-word captioning, and/or sign-language interpretation. Please visit our website for information about specific disability accommodations at each event.

**OPENING RECEPTION: UPDATED INFORMATION**
The 2013 Bodies of Work Festival of Disability Arts and Culture Opening Celebration is generously hosted by the City of Chicago Department of Cultural Affairs and Special Events. The celebration takes place Wednesday, May 15, 6-8:30pm, at the Chicago Cultural Center, 78 E Randolph Street, Preston Bradley Hall. Doors open at 5:45pm. The evening’s honoree is Chicago writer, Susan Nussbaum. The keynote speaker New Yorker Simi Linton, Ph D, is oneof America’s foremost experts on disability arts and culture. Panelists include Chicago artist, Riva Lehrer, Davidson College Professor, Ann Fox, Indiana University poet and disability studies scholar Sami Schalk, and Berkeley, California poet, activist, and specialist in the history and current practice ofblack, disabled musicians. A panel discussion, “Framing the Festival: A Critical Discussion on Disability Art and Culture” will address some of the history, trends, and cultural contexts of disability art in general, as well as specific representational and narrative strategies being presented at the BOW festival. The reception includes hor d’oeuvres and is free and open to the public.

BOW is a network of artists and organizations formed in 2002 that explore and celebrate the contributions of artists with disabilities and the contemporary contexts of disabled lives. With thought-provoking programs of disability arts and culture, BOW serves as a catalyst to illuminate the disability experience in new and unexpected ways. The organization also provides a forum for on-going programs that honor and explore the accomplishments of local, national and international artists. It offers information to cultural venues about providing access and accommodations for both artists and audiences with disabilities.

COMPLETE FESTIVAL SCHEDULE:

Woman Made Gallery
Opening Reception: Humans Being II
May 10, 6-9pm
Exhibition Dates: May 10 – June 20, 2013
Gallery Hours: Wed., Thurs., Fri. noon to 7pm; Sat. & Sun. noon to 4pm.

Humans Being II is an exhibit that focuses on the experience of disability as explored through contemporary art. Juried by Riva Lehrer this group show includes artworks in all media by 38 artists. Woman Made Gallery, 685. N. Milwaukee Ave, Chicago www.womanmade.org 312.738.0400. Free Admission.

Lookingglass Theatre
Still Alice
May 16-19, various times

Based on the New York Times bestselling novel, Still Alice, Professor Alice Howland is at the peak of her career studying the human brain when her own mind begins to falter. Fiercely independent, she battles to preserve her way of life, even as confusion clouds her thinking and her memory begins to fail. This world premiere adaptation is at the same time heartbreaking and hopeful. May 16, 7:30 PM is an open captioned performance that is followed by a panel discussion on “Living and Performing – The Disability and Arts Culture Movement.” May 19 features a 2:00 pm pre-show touch tour for patrons with visual impairments and a 3:00 pm audio described performance, followed by a panel discussion on “Living and Identity – Making connections between aging, dementia, and disability.” Lookingglass Theatre, 821 N. Michigan Ave, Chicago. Ticket prices vary. For tickets and schedule, call 312.337.0665 or visit www.lookingglasstheatre.org.

Museum of Contemporary Art
Back to Back Theatre: Ganesh Versus the Third Reich
May 16-19, various times

Australia’s leading independent theatre is a unique ensemble of actors with disabilities who give voice to the social and political issues that speak to all people. MCA Stage presents this cleverly interwoven tale-within-a-tale that begins with the elephant-headed god Ganesh traveling through Nazi Germany to reclaim the Swastika, the sacred Hindu symbol of higher being. The story becomes a second transformative quest as the group of struggling actors rise to take power from an overbearing director, giving rise to issues of cultural appropriation, the responsibilities of those who speak for others, and what constitutes myth, reality or even normalcy. Museum of Contemporary Art, 220 E. Chicago Ave., Chicago. Ticket prices vary. For tickets and schedule, call 312.397.4010 or visit www.mcachicago.org.

**UPDATED INFORMATION**
Access Living
Counter Balance IV
May 17-18, 6-7:30 pm

Counter Balance IV integrates dance, poetry and spoken word that explores the intersection of disability, diversity and art. The evening will include performers with and without disabilities: Oak Park’s MOMENTA dance company; Oakland, California, performer and interdisciplinary artist Lisa Bufano, who uses stilts and props in her pieces; New York-based Alice Sheppard, who dances with both wheelchair and crutches, and whose work challenges the assumption that assistive devices are compensatory; inter-disciplinary Chicago performance artist Baraka de Soleil, who explores the formless within form; and Chicago poet and visual artist Pennie Brinson, who reads poetry that explores dance and movement. A workshop in creative movement is held on Saturday, May 18, 1-3 pm. Access Living, 115 W. Chicago Ave, Chicago. Free admission. Seating is limited. Reservations taken at jcharlton@accessliving.org

**NEW LOCATION**
Access Living
Good Kings, Bad Kings
Saturday, May 18, 2- 4 pm

The Chicago playwright Susan Nussbaum reads from her first novel Good Kings, Bad Kings, for which she received the 2012 PEN/Bellwether Prize for Socially Engaged Fiction, and will sign copies of her book. The story follows the lives of residents at the ILLC, an institution for juveniles with disabilities, where friendships are forged, trust is built, and love affairs begin, in an atmosphere of neglect and abuse. In this alliance the residents of ILLC ultimately find the strength to resist their mistreatment and fight back. A lifelong Chicago resident, Nussbaum’s plays have been produced at many theaters. In 2008 she was cited by the Utne Reader as one of “50 Visionaries Who Are Changing Your World” for her work with girls with disabilities. Woman Made Gallery, 685. N. Milwaukee Ave, Chicago.  Free admission. To learn more, visit www.womanmade.org.

Poetry Foundation
Poetry off the Shelf: Jim Ferris, Leroy F. Moore & Barry Silesky
Saturday, May 18, 6-7 pm

The Poetry Foundation presents a reading by Jim Ferris, Leroy F. Moore, and Barry Silesky.  Ferris is the author of Hospital Poems, which received the 2004 Main Street Rag book award. Moore is the award-winning founder of Krip-Hop Nation and the performance group, Sins Invalid. Silesky, acclaimed biographer of poet Lawrence Ferlinghetti and American writer John Gardner, is the author of three books of poetry, most recently, This Disease. Poetry Foundation, 61 West Superior Street, Chicago. Free admission. To learn more, visit www.poetryfoundation.org.

Hyde Park Art Center
Film Screening & Discussion: Beneath the Blindfold
Sunday, May 19, 2-4:30 pm

A nursing home aide from Africa. An actor from Colombia. A U.S. Navy veteran from Chicago. A physician from Guatemala. While different at first glance, they have a horrific experience in common: they all have been tortured. Co-directed by Chicago filmmakers Kathy Berger and Ines Sommer, Beneath the Blindfold (55 min., 2012) follows four survivors through the daunting steps of building new lives, careers, and relationships after the debilitating consequences of torture. The screening is followed by a discussion with the filmmakers and Maria Venegas, a torture survivor and human rights activist from Chile, will be present for the Q and A after the screening. Hyde Park Art Center, 5020 South Cornell Ave, Chicago. Free Admission. To learn more, visit www.hydeparkart.org.

Raven Theatre
The Birdfeeder Doesn’t Know
May 19-22, 7:30 pm

Chicago playwright Todd Bauer’s production of The Birdfeeder Doesn’t Know follows the life of Herman, Ingrid and their disabled son. They have always encouraged their son to seek assistance in order to attain independence but now, due to the natural flow of life, Herman and Ingrid’s independence is threatened. When actions once perceived as easy and obvious when directed to their son are now perceived as insults when directed to themselves, the family unit becomes both echo chamber and torture chamber. Each performance is followed by a moderated post show discussion with the playwright, director and cast. Raven Theatre, 6157 N. Clark, Chicago. Tickets $10. For tickets call 773.338.2177 or purchase online at www.raventheatre.com. Free Admission.

Victory Gardens Theater
A Little Bit of Not Normal (formerly called All Kinds of Crazy)
Sunday, May 19, 7:30-8:50 pm

In this workshop reading written and performed by Arlene Malinowski, a family secret is uncovered when she attends her sister’s wedding. With her trademark humor, Malinowski confronts her own state of mind when depression slips in through her window, lights a cigarette and makes himself at home. Her autobiographical journey through the snake pit of mental illness is self-aware without being self-centered. Malinowski portrays a variety of characters including herself, her deaf parents, her husband, and the parade of physicians who attempt to treat her. Victory Gardens Theater, 2433 North Lincoln Ave, Chicago. Free admission. Reservation required. For tickets call 773.871.3000 or visit www.victorygardens.org.

 **JUST ADDED TO FESTIVAL**
Greenhouse Theater Center
Reinventing Story: Tekki Lomnicki, The Miracle, and New Disability Storytelling
Tuesday, May 21, 7-9 pm

This program will present two storytelling forms, Thanksgiving, a solo performance by Tekki Lomnicki, Artistic Director of Tellin’ Tales Theatre and The Miracle, Jeffrey Jon Smith’s award-winning film reinterpretation of the piece.  Both stories, even with such inspirational titles, may surprise and engage you to think differently about disability storytelling. The evening will include a discussion moderated by Terri Thrower to explore how these artists use storytelling elements to reframe and reinterpret familiar, and often tired, narratives about disability. Greenhouse Theater Center, 2257 N. Lincoln Avenue, Chicago. Tickets $10. Call 312.540.1330 to reserve or purchase online at http://www.brownpapertickets.com/event/380023. More about The Miracle is at http://www.themiraclemovie.com/

**JUST ADDED TO FESTIVAL**
Jane Addams Hull-House Museum
Intersection / Intervention: Disability in Museums
A Professional Development Workshop
Thursday May 23, 9am-12pm

How do museums function as unique spaces to reframe and expand conversations about disability? Likewise, how can Disability Studies and the disability rights movement offer insight for reimagining, improving and expanding the core functions of museums? The Jane Addams Hull-House Museum and the Museum and Exhibition Studies program at the University of Illinois at Chicago invite you to attend Intersection / Intervention and examine museums through a lens of disability. Confirmed Think Tank Panelists include: Carrie Sandahl, PhD Theatre and Performance Studies, Associate Professor in the Department of Disability and Human Development at UIC, Chun-Shan (Sandie) Yi, MFA, Artist, PhD Student in Disability Studies at UIC; and Christine Sun Kim*, Performance artist, 2013 TED Fellow. There is a $20 workshop fee (Students $5). Reservations are required. This event is ADA accessible. If you need additional accommodations, please call 312.413.5353 or email ljunkin@uic.edu

Museum of Contemporary Art
Film Screening: Four Films by Stephen Dwoskin
Thursday, May 23, 12-6 pm and Saturday, May 25, 2013, 2-8:30 pm

Stephen Dwoskin was a prominent member of the avant-garde in New York in the 60’s and later in London.  He made films that scrutinize the body and its discontents, rooted partly in his long struggle with polio. Emotionally intense, often with little or no dialogue, his films chart the narrow borders between pleasure and pain. The MCA Stage presents four films that reflect the breadth of his career, including the last film before his July 2012 death:
· Age Is… (2012), a subjective meditation on the experience and cultural concepts of aging: May 23, 1:30pm, and May 25, 3:30pm.
· Pain Is… (1997, 80 min), series of people living with constant pain, whether from illness, injury, or sadomasochism: May 23, 12pm, and May 25, 2pm
· Ballet Black (1986, 86 min), documentary about Les Ballets Nègres, Europe’s first black ballet company: May 23, 4:30pm, and May 25, 7pm.
· Behindert (1974, 96 min), autobiographical drama starring Dwoskin, about a love affair complicated by his disability: May 23, 3pm, and May 25, 5pm.
Museum of Contemporary Art, 220 E Chicago Ave., Chicago. Free Admission. www.mcachicago.org.

Reva and David Logan Center for the Arts, University of Chicago
Film Screening: NoBody’s Perfect (90 min., 2008, directed by Niko von Glasow)
Wednesday, May 22, 6-7:30 pm

Winner of the 2009 German Film Award for Best Documentary, NoBody’s Perfect (2008, 90 minutes) follows Director Niko von Glasow as he looks for eleven people who, like him, were born disabled due to the side-effects of Thalidomide, and who are prepared to pose nude for a book of photos. The documentary explores the specific problems these twelve extraordinary people faced during their lives, and their candid reactions towards the photography project. The final results of the photo shoot give the models entirely new perspectives on themselves. The screening is followed by a panel discussion about disability and sexuality. Reva and David Logan Center for the Arts, 915 E. 60th Street, Chicago. Free Admission. To learn more, visit http://arts.uchicago.edu/content/bodies-work-festival-nobodys-perfect-film-screening-discussion

Northwestern University’s Medical Humanities and Bioethics Program
Realities and Representation: A Roundtable Discussion of Good Kings, Bad Kings
Thursday, May 23, 5-6:30pm

In this roundtable sponsored by Northwestern University’s Medical Humanities and Bioethics Program, Professors Martha Stoddard Holmes of California State University, Rebecca Garden of SUNY Upstate Medical Center and writer and disability activist Mike Ervin of Chicago will react to and discuss concepts of good and bad, right and wrong and empowerment and powerlessness in Susan Nussbaum’s novel “Good Kings, Bad Kings.” The author will respond to the roundtable and discuss the process and decisions that she made in writing the book. The roundtable will be moderated by Catherine Belling of Northwestern University and plenty of time will be left for audience reaction and discussion. Feinberg School of Medicine Lurie Building, Hughes Auditorium, 303 E Superior St., Chicago. Free Admission.

Jane Addams Hull-House Museum
Christine Sun Kim: Pardon me, where is the kitchen?
Friday, May 24, 6-7:30 pm

Jane Addams Hull-House Museum presents the innovative sonic work of 2013 TED Fellow Christine Sun Kim a deaf Korean-American performance artist who actively investigates the physicality of sound. She has an MFA from Bard College and the School of Visual Arts in New York. Recent performances include Upcoming: Gesture Sign Art, Berlin Kunstraum Kreuzberg. Hidden Treasures with Egloff, Rensselaer Polytechnic Institute, Troy, NY; Doing Becoming Being, TCB Gallery, Melbourne, Australia; and We Convert Our Mind to Creativity, Sound + Art Festival, Trier, Germany. Jane Addams Hull-House Museum, 800 S. Halsted St., Chicago. Free Admission. To learn more, visit www.uic.edu/jaddams/hull. Space is very limited, must reserve seating at http://cskbodiesofwork.eventbrite.com/

Victory Gardens Theater
BALL and Other Funny Stories About Cancer
Friday, May 24, 7:30-9:00 pm

Written and performed by Brian Lobel, BALL & Other Funny Stories About Cancer brings together Lobel’s trilogy of work about his experiences with cancer (written between 2001 and 2011). His work infuses the “cancer story” with an urgency and humor that is sometimes inappropriate, often salacious, and always honest. Starting from the moment of diagnosis, BALL …goes beyond stories of medical treatment to explore sexuality, gender and politics. In pulling the trilogy together as one, Lobel attempts to show that surviving cancer is only half the battle. Victory Gardens Theater, 2433 North Lincoln Ave, Chicago. Tickets $10. For tickets call 773.871.3000 or visit www.victorygardens.org.

Museum of Contemporary Art
Film Screening: Eleanore & the Timekeeper
Saturday, May 25, 12 pm

The complexities of a mother’s sacrifice are discovered when Eleanore, at age 91, moves her developmentally disabled son Ronnie into a group home after 64 years of devoted companionship and daily ritual in their modest Pennsylvania farmhouse. Shot on 16mm, the film is a quiet love story between a mother and son, which celebrates life’s natural cycles of monotony and impermanence. Eleanore & the Timekeeper (76 min., 2010) is the first feature-length film by the award-winning experimental filmmaker Danièle Wilmouth, who is in introducing the film on Saturday.  Museum of Contemporary Art, 220 E Chicago Ave. Chicago. Free Admission. To learn more, visit www.mcachicago.org.

xxx

Generous support for the 2013 Bodies of Work Festival is provided in part by the University of Illinois at Chicago’s Chancellor’s Committee on the Status of People with Disabilities, Disability Resource Center and the Department of Disability and Human Development; 3Arts; MobilityWorks; City of Chicago’s Department of Cultural Affairs and Special Events; Mayor’s Office for People with Disabilities; Illinois Humanities Council; and Illinois Arts Council, a state agency. Thanks to individual donors supporting the Festival, including Steven Lee, Beth Prevor, and Toby Tate.

 

Pianist Jenny Q Chai Performs at Baltimore’s An Die Musik LIVE

April 7th, 2013
May 9, 2013
8:00 pmto10:00 pm

Jchai-bg3cOn Thursday, May 9, Jenny Q Chai will perform an altered version of her program Acqua Alta at Baltimore’s premiere classical/experimental music venue An Die Musik. The program will include Annie Gosfield’s dynamic work Brooklyn, October 5, 2941,  which memorializes Mickey Owens’s famous blunder that granted the Yankees victory in the 1941 World Series (and blemished his own epic career from that moment on). Written into the piece is a portion where the pianist plays her instrument with a baseball mitt and glove.

The recital begins at 8:00 pm  on May 9, located at An Die Musik, 409 N Charles St, Baltimore, MD. Tickets are $12 for the general public, $10 for full-time students. Contact 410-385-2638 for for more information.

The complete program is as follows:

  • Milica Paranosic Bubble World Premiere
  • Kurtag Hommage à Scarlatti
  • ScarlattiSonatas
  • GibbonsThe Italian Ground (1613)
  • Marco Stroppa, Ninnananna from Miniature Estrose
  • LisztLa lugubre gondola
  • Debussy, Prelude La cathédrale engloutie
  • RavelUne Barque Sur L’océan  from Miroirs
  • Nils Vigeland, I Turisti World Premiere
  • Michael Vincent WalleAcqua Santa World Premiere
  • Annie Gosfield Brooklyn, October 5, 1941

An adventurous and prodigiously talented young player, Jenny Q Chai cultivates a mercurial and engrossing stage presence and seeks to create “fairy tales for grown-ups” in her themed and multimedia concert performances.

Ms. Chai’s unique programs include standard classical repertoire such as Schumann and Debussy to 20th and 21st century piano works, often by living composers, such as Marco Stroppa, with whom she has a close affiliation.

Recently having made her Carnegie Hall debut at Zankel Hall, pianist Jenny Q Chai was praised by the New York Times’ Anthony Tommasini for her “resourceful technique and sensitivity” as well as playing that is “admirable for its refinement and directness.” Of her performance at the Keys to the Future Festival, Zachary Woolfe wrote, also in the New York Times: “Jenny Q Chai opened the concert playing two of Ligeti’s Études with rich tone and rhythmic clarity; especially strong was her “Cordes à vide.” In addition to Carnegie Hall, Jenny has played at New York venues such as Le Poisson Rouge, Roulette, Symphony Space, the Stone and recently made her Chicago debut playing Schumann’s Kreisleriana at the Dame Myra Hess Series.

Recipient of the Yvar Mikhashoff Trust’s 2011 Pianist/Composer Commissioning Project, first prize winner of the Keys to the Future Contemporary Solo Piano Festival, and recipient of the DAAD Arts and Performance award in 2010, Chai has premiered, most notably, Life Sketches and Five Pieces (for Jenny Q Chai) by Nils Vigeland, Intimate Rejection by Ashley Fu-Tsun Wang, Messiaen’s Canteyodjaya (China premiere) and Marco Stroppa’s Innige Cavatina (US premiere). Chai has also premiered “Marriage (Mile 58) Section F” from The Road by Frederick Rzewski in Ghent, Belgium, where she was given the Logos Award for the best performance of 2008. Chai played the first contemporary solo piano concert in China this June at the National Performing Arts Center in Beijing; and she recently had the privilege of introducing the concept of prepared piano to a Chinese audience, with the world premiere of Mallet Dance by John Slover, in Shanghai Concert Hall.

In what is already an illustrious career, Chai’s performances have been covered in major media throughout the U.S., China, and Europe, including Time Out New York, Shanghai Culture, and Cologne Daily News, and her performances of contemporary music have been broadcast in Italy, Germany, China, and the U.S. Her talents have been showcased on recordings with Ensemble 20/21 on the Deutschlandfunk label (performing music by Hanns Eisler) and as solo pianist/vocalist on ArpaViva’s New York Love Songs. Chai recently received her Doctor of Musical Arts degree at Manhattan School of Music, where she wrote her thesis (advisor, Marilyn Nonken) on composer Marco Stroppa. Chai has also studied at the Shanghai Music Conservatory, at Curtis Institute of Music with Seymour Lipkin, and has received two degrees from the Manhattan School of Music where she studied with Solomon Mikowsky, Nils Vigeland, and Anthony de Mare. In Germany, she studied with Pierre-Laurent Aimard, and performed in Ensemble 20/21, directed by David Smeyers, as well as the group Musikfabrik.

For Chai, near-total immersion in the contemporary music world has only enhanced her appreciation of the classical repertoire. “I feel a sense of contentment programming creative concerts,” says Chai, “mixing and matching old and new works, so as to highlight what is most special in each piece. After all, nothing comes from nothing, and new music is very much connected to that which came before.” Now splitting her time between the U.S. and China, Chai serves on the Board of Directors for the New York City-based contemporary music organization Ear to Mind. In Ear to Mind performances in 2011 and 2012, Chai premiered a number of new works, including Five Pieces (for Jenny Q Chai) by Nils Vigeland as well as works by Inhyun Kim and Ashley Fu-Tsun Wang. Jenny is also founder of FaceArt Music InterNations (www.Faceart.info) in Shanghai. FaceArt is an educational center, contemporary music presenter and cultural exchange organization at the frontier of bringing Western contemporary music and the philosophy of American music education to China.

Future engagements for Ms. Chai include NYC’s Spectrum and a forthcoming CD of the works of composer Nils Vigeland for Naxos Records.

Inna Faliks Performs Mendelssohn in Minneapolis/St. Paul

March 26th, 2013
April 26, 2013
7:00 pmto9:00 pm
April 27, 2013
2:00 pmto4:00 pm

InnaFaliks-200x300On April 26 and 27, pianist Inna Faliks will perform Felix Mendelssohn’s “Concerto No. 1 in g minor, op. 25″  with the Minnesota Sinfonia. This concerto (Mendelssohn’s fourth chronologically) is notable for the relatively early entrance of the piano soloist and the spaces left open for the composer’s improvisations.

The program also includes a world-premiere commission by Theodore Unseth and Ralph Vaughn Williams’s “Fantasia on a Theme by Thomas Tallis.” The first of two concerts begins at 7:00 p.m. on Friday, April 26, at Founders Hall at Metropolitan State University, 700 East 7th Street in St. Paul. The second concert begins at 2:00 p.m. on Saturday, April 27 at Basilica of St. Mary at 88 17th St. N. in Minneapolis. Admission is free and children are welcome to attend. Audience members should arrive early—all concerts are first-come, first-seated.

COMPLETE PROGRAM:

T. Unseth Concertino (World Premiere)
R. V. Williams Fantasia on a Theme by Thomas Tallis
F. Mendelssohn Concerto No. 1, op. 25

Called “adventurous” and “passionate” by The New Yorker and “poetic” by Time Out New York, Ukrainian-born, New York City based pianist Inna Faliks has established herself as one of the most passionately committed, exciting and poetic artists of her generation. After her debut with the Chicago Symphony Orchestra at age 15, acclaimed by the Chicago Tribune, she has performed on many of the world’s great stages, with numerous orchestras, in solo appearances, and with conductors such as Leonard Slatkin and Keith Lockhart.

Critics praise her “courage to take risks, expressive intensity and technical perfection” (General Anzeiger, Bonn), “Infusing every note with brilliance and personality,” (Hilton Head Competition Review), “poetry and panoramic vision” (Washington Post) , “riveting passion, playfulness” (Baltimore Sun) and her “virtuosity, humor, lyricism and a way to make every note an important part of the texture of the music.”(Free Times, South Carolina). Her CD on MSR Classics, Sound of Verse, was released in 2009, featuring music of Boris Pasternak, Rachmaninoff and Ravel, receiving excellent reviews from Gramophone, American Record Guide, and other music publications.

Additional Minnesota Sinfonia concert information is available at 612-871-1701 or www.mnsinfonia.org.

Melbourne’s Speak Percussion Visits New York and San Francisco

March 23rd, 2013
March 28, 2013
8:00 pmto10:00 pm
March 29, 2013
8:00 pmto10:00 pm

Screen Shot 2013-03-23 at 3.03.30 PMAustralian percussion ensemble Speak Percussion will collaborate with four American ensembles on a U.S. tour with the Vanishing Languages project. Kevin James’s new work is the result of a nine-month sojourn across three continents, researching the remaining speakers of dead languages.

Speak Percussion will be at New York City’s Roulette (509 Atlantic Avenue, Brooklyn, NY) joined by the ETHEL String Quartet and the [kaj] Ensemble on March 28 and 29 at 8:00 pm.

Then they will be at San Francisco’s ODC Dance Commons (351 Shotwell Street, San Francisco) joined by the Del Sol String Quartet and Nonsemble 6 on April 5 and 6 at 8:00 pm. For further information about Speak Percussion and their up-coming performances, please contact Zilla & Brook Publicity at contact@zillaandbrook.com.au.

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